Between the Lines - Chapter 3


On the plane, Libby insists that we order Bloody Marys. She actually tries to convince me to do shots, but finally settles for a Bloody Mary for me (and a plain tomato juice for herself). I’m not usually much of a drinker, especially not in the morning, but this is my first real vacation in ten years, and my nerves are so wound up that I down my drink in the first twenty minutes.

Traveling makes me tense; I’m uncomfortable with time off, and I hate leaving my clients unattended. Specifically, one very important client: Dusty. For the forty-eight hours before takeoff, I alternated between trying to reassure her and remind her of the book deadline looming ahead. We've already delayed her next book's deadline by six months, and if she can’t deliver some draft pages this week, the entire publishing schedule could be in jeopardy.

Dusty’s extremely superstitious about her writing process, and she hasn’t even shared what she’s working on. Regardless, I send her another quick, encouraging email from my phone, hoping to keep her on track.

Libby notices, raising an eyebrow. I put my phone down, raising my hands in surrender to show I’m fully present. “Good,” she says with a smile. She pulls her oversized purse onto her tray table and takes out a full-sized folder, which she dramatically unfolds in front of me.

“Oh my gosh, what is that?” I ask. “Are we planning a bank heist?”

“Heist, yes. Robbery sounds so déclassé. We’ll be in three-piece suits the whole time,” she replies, handing me a laminated sheet titled, “Life-Changing Vacation List.”

“Who are you, and where did you bury my sister?” I joke.

Libby grins, undeterred. “I know how much you love a checklist,” she says brightly, “so I took the liberty of creating one for our perfect small-town adventure.”

I reach for one of the sheets, raising an eyebrow. “I hope number one is ‘dance on top of a Coyote Ugly bar.’ Though I’m not sure any manager worth their salt would let you do that in your condition.”

Feigning mock offense, she asks, “Am I really showing that much?”

“Noooo,” I coo. “Not at all.”

She laughs. “You’re so bad at lying. It’s like your face muscles are being controlled by six different amateur puppeteers. Now, back to the bucket list.”

“Bucket list? Which one of us is dying?”

She meets my eyes, a mischievous glint dancing in hers. “Birth is a kind of death,” she teases, rubbing her belly. “Death of your independence, death of a full night’s sleep, death of laughing without peeing a little. But really, it’s more like a ‘small-town romance experience’ list—a way for us to transform into the relaxed, chill people we’ve always wanted to be.”

I glance over the list again, a little surprised at how much thought she’s put into this. Before Libby got pregnant for the first time, she briefly worked with a high-end event planner (one of many jobs she tried on for size). Despite her usual love for spontaneity (read: chaos), her organization has improved dramatically since motherhood. Seeing her so prepared is unexpectedly touching—and very much my style.

I laugh when I see the first item on the list: Wear a flannel shirt.

“I don’t even own a flannel shirt,” I tell her.

“Neither do I,” she says with a shrug. “We’ll have to thrift some. Maybe we’ll even find some cowgirl boots.”

Back when we were teenagers, we’d spend hours combing through Goodwill racks, finding treasures among the castoffs. I always gravitated toward sleek, designer pieces, while she’d rush for anything with color, fringe, or rhinestones. That old heart-pinch feeling returns, as though I’m already missing her—as if our best moments are behind us. That’s exactly why I’m doing this, I remind myself: to reconnect.

“Flannel, check,” I say. I read the second item on the list: Bake something. My sister loves to cook, and she always saves her more adventurous recipes for our nights together, away from the whims of her picky toddlers.

My eyes skim further down the list: 3. General makeover (hair down, or maybe bangs?) 4. Build something (literal, not figurative).

The first few items on Libby’s list almost directly mirror her past “Graveyard of Abandoned Potential Careers.” Before her event planning stint, she briefly ran an online vintage store, curating thrift shop treasures; before that, she dreamed of becoming a baker; then a hairstylist; and, at age eight, even envisioned herself as a carpenter because “there weren’t enough women in that field.”

So, everything so far makes sense—at least, in the uniquely quirky way things make sense in Libby’s mind. But then my eyes catch on number five. “Wait, what’s this one?”

Libby’s eyes brighten as she reads, “Go on at least two dates with locals!” She lifts her list, revealing that number five has been crossed out on her own copy. “That one’s just for you!”

“Isn’t that a little unfair?” I counter.

She reminds me, “Well, I’m married, and about five thousand weeks pregnant.”

“And I’m a career woman with a weekly cleaning service, a shoe closet, and a Sephora credit card,” I say. “I doubt my dream man is a lobster fisherman.”

Libby leans closer, practically glowing. “Exactly! Nora, you know I adore your organized, beautiful, Dewey-decimal-system mind, but you approach dating like car shopping.”

“Thank you,” I say, taking it as a compliment.

“And it always ends badly.”

“Oh, good,” I respond dryly. “I was worried that wouldn’t come up.”

Taking my hands, she says, “I’m just saying, you keep dating guys exactly like you—same priorities, same lifestyle.”

“You could just call them ‘compatible,’ you know.”

“Sometimes opposites attract,” she insists. “Think about all your exes. Think about Jakob and his cowgirl wife!”

Something sharp twinges inside me at the mention of Jakob, but Libby doesn’t seem to notice.

“The point of this trip is to get out of our comfort zones,” she presses on. “To maybe even be someone new. Who knows? Maybe if you branch out, you’ll find your own life-changing romance, instead of another walking checklist in boyfriend form.”

“I like dating checklists, thank you very much,” I say. “They keep things straightforward. Think about Mom, Lib.” She fell in love so easily, often with men who weren’t right for her, leading to messy breakups that would leave her in pieces, struggling to keep a job or even show up for auditions.

“You’re nothing like Mom,” she says lightly, but the comment stings. I know I’m different, and I felt it deeply every single day after we lost her, when I was just trying to keep things together for us both.

I realize Libby’s not implying anything hurtful, but her words feel uncomfortably similar to every breakup speech I’ve ever heard, each one ending with something like, “For all I know, you don’t even have feelings.”

“Come on,” Libby presses, unfazed. “When was the last time you got to relax and not think about how it fits into your perfectly organized life plan? You deserve some low-stakes fun, and frankly, I deserve to live vicariously through you. Hence, the dates!”

“So, am I allowed to take my earpiece out after dessert, or...?” I joke.

She throws up her hands. “Fine, forget number five! Even though it would be good for you. Even though I basically planned this whole trip so you could have your own small-town romance experience.”

“Okay, okay!” I relent. “I’ll do the lumberjack dates, but they’d better look like Robert Redford.”

Her eyes light up, and she squeals. “Young or old?”

I give her a look.

“Got it,” she says. “Moving on. Number six: Go skinny-dipping in a natural body of water.”

“What about bacteria? Should you really risk it?” I ask, feigning concern.

She sighs, her face falling. “Guess I didn’t plan this quite as thoroughly as I thought.”

“Nonsense,” I reassure her. “It’s an amazing list.”

“You’ll just have to skinny-dip alone, then,” she says, distracted. “A lone thirty-something woman, naked in the local swimming hole. Perfect way to meet someone... or get arrested.”

She continues reading, “Seven: Sleep under the stars. Eight: Attend a town event, like a wedding or festival.”

I dig out a Sharpie, adding “funeral, bris, or ladies’ night at the roller rink.”

“Trying to find a hot ER doctor, huh?” she teases, noticing. I cross out the roller rink and glance at number nine.

“Nine: Ride a horse.”

I gesture toward her belly. “Not exactly baby-friendly.” I cross out “ride” and replace it with “pet.” She sighs, half-amused.

She continues reading, “Ten: Start a (controlled) fire. Eleven: Go on a hike?? (Is it worth it??)”

When Libby was sixteen, she announced she’d be joining her boyfriend for a summer job in Yellowstone. Mom and I burst out laughing, knowing how unlikely that was; all the Stephens women shared an aversion to the great outdoors. Aside from our shared love of books, vitamin C serums, and stylish clothes, the closest we came to hiking was a brisk stroll through Central Park's Ramble—with paper bowls of food truck waffles and ice cream, of course. Needless to say, she broke up with him two weeks before the trip.

I tap the last line on her list: Save a local business. “You do realize we’re only here for a month, right?” We’ve got three weeks to ourselves, with Brendan and the girls joining us afterward, and I’m already unsure how I’ll manage week one. My last trip away didn’t even last two days before I headed back home. But this is different. I’ll make it work for Libby.

“They always save a local business in small-town romance novels,” she says, grinning. “It’s practically a requirement. I’m hoping for a struggling goat farm.”

“Oh, maybe we’ll rally the local ritualistic-sacrifice community to save the goats. You know, temporarily—until they’re needed for the altar.”

“Naturally.” Libby sips her tomato juice. “That’s just how things work.”

Our taxi driver looks like Santa Claus, down to his red T-shirt and suspenders holding up a worn pair of jeans. But he drives more like the cigar-chomping cabbie from Scrooged—taking corners so fast that Libby lets out little squeaks every time we swerve, and I catch her murmuring words of reassurance to her belly.

“Sunshine Falls, huh?” he yells, having rolled all four windows down unprompted. My hair whips across my face, making it hard to see his watery eyes in the rearview mirror.

In the time it took us to deplane and grab our luggage—somehow a full hour, even though our flight was the only one at the tiny airport—my inbox has doubled in size. With the annual slowdown in publishing, every delayed reply seems to throw my already anxious authors into spirals of “Does my editor hate me? Do you hate me? Does everyone hate me???”

“Yep!” I shout back to the driver. By now, Libby has her head between her knees.

“You must have family here!” he yells over the wind.

Maybe it’s my New York instinct or just general caution, but I’m not about to announce we don’t know a soul in town. “What makes you say that?” I reply.

“Why else would you come here?” He laughs, swinging around another corner.

When we finally come to a stop, I’m almost tempted to applaud, like a passenger after a rough landing. Libby sits up slowly, smoothing her miraculously untangled hair.

“Where… where are we?” I ask, looking around.

On either side of the dirt road, the dry grass stretches on. The road ends abruptly at a meadow, dotted with purple and yellow wildflowers on a gentle slope. A dead end.

Which raises an unsettling question: are we about to be murdered?

The driver ducks his head and gestures up the slope. “Goode’s Lily Cottage—just over that hill.”

Libby and I both lean forward, straining to see. Halfway up the incline, a staircase emerges in view, though staircase might be generous. It's more like a series of weathered wooden slats embedded into the grassy hill, forming makeshift steps.

Libby grimaces. “The listing did mention it wasn’t wheelchair accessible.”

“Did it also mention we’d need a ski lift?”

Meanwhile, our Santa look-alike driver has already started hauling our luggage out of the trunk. I step out into the intense sunlight, instantly feeling the heat through my all-black travel outfit. At the end of the dirt road, there’s a black mailbox with Goode’s Lily Cottage painted in curly white lettering.

“Is there no other way up there?” I ask. “Maybe a road that goes all the way to the house? My sister’s . . .”

Libby seems to draw in her stomach, as if that could somehow disguise her pregnancy. “I’m fine,” she insists.

I briefly consider pointing out my impractical four-inch heels, but I’m not about to lean into the stereotype.

“Nope, can’t get you any closer,” he replies as he climbs back into his cab. “There’s a road a couple of acres back that leads to Sally’s place, but it’s still a ways off.” He hands Libby a business card through the window. “If you need a lift, call this number.”

She takes it, and I catch a glimpse of the name: Hardy Weatherbee, Taxi Services and Unofficial Once-in-a-Lifetime Tours. She lets out a laugh, but it’s swallowed by the roar of Hardy’s car reversing back down the road like a bat out of hell.

“Maybe you should take your shoes off,” she suggests, eyeing my heels.

With all our bags, it’s going to take more than one trip, and it’s obvious that Libby isn’t about to carry anything heavier than my shoes. The climb is steep and the heat oppressive, but as we crest the hill, we finally see it: a small, white cottage nestled in overgrown gardens with a path winding through them. The cottage’s peaked roof is a lovely, weathered sienna, and its ancient, single-pane windows are free of shutters. A delicate, pale green arc of vines is painted over one of the first-floor windows.

Behind the cottage, a dense cluster of gnarled trees stretches into a sprawling forest, and off to the side, a gazebo draped in wild grapevines stands within a grove of trees. Wind chimes made of glass shards glimmer in the branches, alongside quirky bird feeders. The garden path winds past blooming bushes, curves over a small footbridge, and disappears into the woods.

The cottage looks like something straight out of a storybook—or maybe more like a scene from Once in a Lifetime. Quaint, charming, absolutely perfect.

“Oh my gosh,” Libby sighs, nodding toward the remaining steps. “Do I have to keep going?”

I shake my head, still catching my breath. “I could tie a sheet around your ankle and pull you up.”

She laughs, looping her arm through mine. “What do I get if I make it to the top?”

“Dinner duty?” I tease.

Together, we climb the last few steps, inhaling the gentle, warm scent of sunlit grass. I can already feel a sense of peace I haven’t felt in months. This feels like us—the way we were before my career and her growing family had us moving to separate rhythms. I hear a chime from my purse, signaling an email, and resist the urge to check it.

“Look at you,” Libby teases, “actually stopping to smell the roses.”

“I’m not City Nora anymore,” I say, grinning. “I’m laid-back, go-with-the-flow N—”

Another chime interrupts, and I glance at my purse, still trying to stay present. More notifications ping in quick succession until I can’t resist. I pause, drop our bags, and dig through my purse for my phone. Libby just shakes her head at me, amused.

“Tomorrow,” I tell her, “I’ll start being that Nora.”

As soon as we begin unpacking, it’s obvious we’re more alike than we sometimes admit. Out come our books, skincare products, and luxurious underwear—the “Stephens Women Trifecta of Luxury,” a legacy passed down from our mom.

“Some things never change,” Libby murmurs happily, her voice wrapping around me like sunshine.

Mom always said youthful skin could help a woman earn more (a true asset in both acting and waitressing), that quality lingerie could boost confidence (still holding true), and that good books would always bring happiness. Judging by our packing, Libby and I still live by this wisdom.

Within twenty minutes, I’ve unpacked, washed up, changed clothes, and fired up my laptop. Meanwhile, Libby has put away half her things before collapsing on the king bed we’re sharing, her worn copy of Once in a Lifetime lying facedown beside her on the quilt.

With my stomach growling, I spend a frustrating six minutes Googling dinner options (the Wi-Fi’s so slow, I’m forced to use my phone as a hotspot) and find that a pizza place is the only delivery option in town. Cooking’s out; back in the city, I get half my meals from restaurants and the rest from takeout.

Mom always used to say New York was a great place to be broke—so much free art and culture, so many cheap, delicious eats. But having money in New York, she’d told us once as we window-shopped on the Upper East Side in winter, that would be magical. She said it not with bitterness, but with wonder, as if imagining how much more beautiful life could be when you didn’t have to worry about electric bills.

Although she hadn’t pursued acting for the money (she was optimistic, not unrealistic), most of my mom’s income came from waitressing at the diner. She’d set me and Libby up with books or crayons to keep us entertained during her shifts. Occasionally, she’d take on a nannying job lax enough to allow her to bring us along until I was about eleven, when I could stay home or hang out with Libby at Freeman Books under Mrs. Freeman’s watch.

Even without much money, those days were filled with happiness. We spent our time wandering the city, munching on street cart falafel or dollar pizza slices as big as our heads, dreaming of grand futures. Ironically, thanks to the success of Once in a Lifetime, my life now resembles one of those imagined futures.

Here, though, life is a bit more rustic; there’s no pad thai delivery. If we want to eat, we’ll have to walk the two miles into town. I shake Libby awake, but she just groans, still half-asleep. “I’m starving,” I say, nudging her shoulder.

Without even opening her eyes, she mumbles, “Bring me something back.”

“Are you sure? Don’t you want to see your favorite little hamlet?” I say, trying to tempt her. “Aren’t you curious to see the apothecary where Old Man Whittaker almost overdoses?”

She just waves me off with a half-hearted gesture.

“Fine. I’ll bring you something,” I say.

I pull my hair into a ponytail, lace up my sneakers, and head down the sunny hillside toward the dirt road, bordered by scraggly trees. When the narrow lane meets a proper street, I turn left, following the winding road.

As I walk, Sunshine Falls comes into view all at once. One moment, I’m on a crumbling road on the side of a mountain, and the next, the town stretches out below me, like the set of an old Western. Tree-covered ridges rise in the distance, and the sky is a wide dome of endless blue.

It’s a little grayer and shabbier than the photos had shown, but I recognize the stone church from Once in a Lifetime, the green-and-white awning over the general store, and the lemon-yellow umbrellas outside the soda fountain.

A few people are out walking their dogs, and an older man sits on a green metal bench, engrossed in his newspaper. A woman is watering flower boxes outside a hardware store, where there isn’t a single customer in sight. Up ahead, I catch sight of a white stone building on the corner. It perfectly matches the description of Mrs. Wilder’s old lending library from Once in a Lifetime, my favorite setting in the book. It reminds me of rainy Saturday mornings when Mom would drop me and Libby off at Freeman’s, settling us in front of a shelf filled with middle-grade books before she hurried off for an audition across town. When she returned, she’d take us for ice cream or glazed pecans in Washington Square Park, and we’d wander through the paths, reading plaques on the benches and making up stories about who might have donated them.

“Can you imagine living anywhere else?” Mom would often ask.

I couldn’t.

Once, in college, some friends—mostly transplants—insisted they’d never want to raise kids in the city. I was stunned. Not only did I love growing up there, but I couldn’t imagine anything more inspiring. Every time I see kids traipsing through the Met, breakdancing for tips on the subway, or gazing in awe at a violinist under Rockefeller Center, I think, How incredible to be part of this, to share this city with so many others.

Now, I love exploring New York with Bea and Tala, too. It’s fascinating to watch what captivates a four-year-old and a newly-three-year-old, as well as what they accept as simply “normal” city life. Mom may have come to New York hoping to live in the set of a Nora Ephron movie (fittingly, my namesake), but the real city has a magic that’s far richer—so many lives, so many stories overlapping in one place.

Still, my love for New York doesn’t prevent me from being charmed by Sunshine Falls. I feel a growing excitement as I approach the lending library, but peering through the darkened windows, that excitement fades. The building’s white stone facade matches Dusty’s description perfectly, but inside, it’s filled with flickering TVs and neon beer signs.

Dusty made the lending library feel so real that I was convinced it actually existed. My initial excitement quickly fades, and when I think about Libby’s expectations, it turns to disappointment. This is far from what she’s hoping for, and I’m already planning how to manage her expectations or at least offer her something else to enjoy as a consolation.

I pass several empty storefronts before reaching the awning of the general store. One look through the windows tells me there won’t be any freshly baked bread or barrels of old-fashioned candy waiting inside. The glass is caked with dust, and beyond it, the shelves are cluttered with random items—old computers, vacuum cleaners, box fans, and dolls with tangled hair. It’s a pawnshop, and not even a tidy one.

I avoid eye contact with the man slouched over a desk inside and keep walking until I reach the café patio with yellow umbrellas across the street. At least there are signs of life here: people coming and going, a couple chatting over coffee at one of the tables. It's not perfect, but it’s something.

After a quick check for traffic (not a single car in sight), I jog across the street toward the café. The sign over the doors reads Mug + Shot in gold lettering, and there’s a small line of people waiting inside. I press my hands to the glass, trying to see through the glare, just as someone on the other side starts to open the door.

Between the Lines - Chapter 2



TWO YEARS LATER

The city is stifling. The asphalt radiates heat, the sidewalks reek of trash, and families passing by clutch melting popsicles that ooze down their hands with each step. Sunlight reflects off buildings like laser beams in an old-fashioned heist movie, and I feel like a glazed donut left out in the sun for days.

Despite being five months pregnant in this heat, Libby looks effortlessly radiant, as if she just stepped out of a shampoo ad.

“Three times,” she marvels. “How does someone get dumped and end up in a full lifestyle makeover three times?”

“Guess I’m just lucky,” I reply. It’s really four, but I’ve never been able to tell her the whole story about Jakob. Years later, I still struggle to process that one myself.

Libby loops her arm through mine, her skin soft and dry despite the midsummer humidity, while mine feels sticky in the heat. Though I inherited Mom’s height, everything else—her strawberry-blond hair, her wide ocean-blue eyes, and that sprinkle of freckles—seems to have funneled down to my sister. She’s short and curvy, taking after Dad’s side of the family, though we wouldn’t know for sure since he left when I was three, and Libby wasn’t yet born. Where her eyes are a clear, vibrant blue, mine are more stormy and dull, a shade closer to “frozen-over lake.”

She’s my absolute favorite person, the Marianne to my Elinor, the Meg Ryan to my Parker Posey.

“Oh, Nora.” Libby pulls me close as we reach the crosswalk, and I savor the moment. No matter how hectic things get, we’ve always been in sync. I’d think of calling her, and my phone would ring, or she’d suggest meeting up for lunch and we’d already be in the same neighborhood. Lately, though, it’s felt different. Like we’re not just in separate lanes but entirely different lakes—me a submarine, her a paddleboat.

Now I often miss her calls while I’m in meetings, and by the time I call her back, she’s asleep. She finally invites me to dinner on a night I’ve promised to take a client out. And even when we are together, something feels off, like we’re not quite aligned.

At first, I thought it was the new baby stressing her out, but she’s only seemed to pull away more with time. I lie awake at night, replaying our last conversations, searching for signs, tiny cracks.

The light changes to WALK, but a few cars still race through the red. When a man in a sharp suit steps off the curb, Libby nudges me along after him. There’s an unspoken rule that cab drivers won’t hit people who look like him. His outfit says, “I have a lawyer,” or possibly, “I am a lawyer.”

“I thought you and Andrew were good together,” Libby says, slipping easily back into the conversation—never mind that my ex’s name was actually Aaron, not Andrew. “I don’t get what went wrong. Was it because of work?”

Her gaze shifts to me when she mentions work, sparking a memory: me sneaking back into our apartment during Bea’s fourth birthday party, only to find Libby giving me that sad, wide-eyed look, like a disappointed cartoon puppy. Work call? she guessed. I’d apologized, and she’d brushed it off, but I suddenly wonder if that was the moment I started to lose her—a subtle shift where our lives began to drift just far enough apart to weaken the seams.

“What went wrong,” I finally respond, jumping back into our conversation, “is that I probably wronged some powerful witch in a past life, and now she’s cursed my love life. He’s moving to Prince Edward Island.”

We stop at the next crosswalk, waiting for traffic to ease up. It’s a hot Saturday in mid-July, and everyone is outside, wearing the bare minimum, eating melting ice cream or popsicles packed with flavors that probably have no business in a dessert.

“Do you know what’s on Prince Edward Island?” I ask.

“Anne of Green Gables?” Libby replies.

“Anne of Green Gables would be long dead by now,” I say.

“Wow. Spoiler alert.”

“How does anyone go from living here to moving somewhere where the big attraction is the Canadian Potato Museum? I’d die of boredom within days.”

Libby sighs. “I don’t know. I could go for a bit of boredom right about now.”

I glance at her, my chest tightening. At first, she looks as she always does—perfect hair, a healthy flush to her skin—but as I look closer, I notice little things I missed before. The way her mouth droops at the corners, the slight hollows in her cheeks. She looks tired, worn out.

“Sorry,” she mutters, almost to herself. “I don’t mean to be the Sad, Droopy Mom. I just really need some sleep.”

My mind is already buzzing, mapping out ways I could help Libby and Brendan without them noticing. Money is always their underlying worry, but they’ve been too proud to accept direct support for years, so I’ve had to get creative. The recent “work call” Libby may still be annoyed about was actually a Birthday Present Trojan Horse: a “client” who “canceled” a “nonrefundable room at the St. Regis,” which only “made sense” to use for a girls’ midweek slumber party.

“You’re not Sad, Droopy Mom,” I say, squeezing her arm. “You’re Supermom. You’re the one strutting around Brooklyn Flea in a jumpsuit, toting her stunning kids, a bouquet of wildflowers, and a basket of lumpy tomatoes. You’re allowed to get tired, Lib.”

She squints at me, amused. “When was the last time you counted my kids, Sissy? There are two of them.”

“Not to make you feel like a terrible parent,” I say, nudging her belly, “but I’m pretty sure there’s a third one on the way.”

“Fine, two and a half,” she admits, eyes flickering toward mine cautiously. “So, how are you, really? About the breakup, I mean.”

“We were only together for four months; it wasn’t serious,” I reply.

“Serious is how you date,” she points out. “If someone makes it to a third date with you, he’s already passed 450 separate criteria. It’s hardly casual dating if you know their blood type.”

“I don’t know their blood types,” I argue. “I only need a credit report, a psych evaluation, and a blood oath.”

Libby throws her head back, laughing. Her laughter is like pure serotonin to my brain—maybe it’s my heart? Probably my brain. Serotonin in the heart would be a medical emergency. The point is, her laughter gives me a sense of control, of everything being right with the world.

Maybe that makes me a little narcissistic, or maybe it’s just a thirty-two-year-old sister thing, remembering whole weeks when I couldn’t pull her out of bed after we lost Mom.

“Hey,” Libby says, slowing down as she realizes where we’ve ended up, almost as if we were unconsciously drawn here. “Look.”

If you dropped us into the city blindfolded, we’d probably still find our way here: gazing wistfully at Freeman Books, the cozy West Village bookstore beneath the apartment where we used to live. That tiny space was where Mom would spin us around the kitchen, all three of us singing along to the Supremes’ “Baby Love” into whatever kitchen utensil was closest. It was the place where we’d spend countless evenings on a floral pink-and-cream couch, watching Katharine Hepburn movies while snacking on a buffet of junk food spread out on the coffee table Mom rescued from the curb, a stack of hardcover books taking the place of its broken leg.

In books and movies, characters like me always seem to live in cement-floored lofts decorated with bleak, modern art and filled with strange, four-foot-tall vases of scraggly black twigs for no reason I can fathom. But in reality, I chose my current apartment precisely because it reminds me of this place: old wood floors, soft wallpaper, a hissing radiator, and built-in shelves overflowing with secondhand books. Its crown molding has been painted so many times that its edges have softened, and the tall, narrow windows show the slight warping of age.

This bookstore and that apartment upstairs are my favorite places in the world. Even though it’s also the place where our lives changed forever twelve years ago, I can’t help but love it here.

“Oh my gosh!” Libby grabs my arm, waving toward the display in the window—a pyramid of Dusty Fielding’s runaway hit, Once in a Lifetime, now with a fresh movie tie-in cover. She pulls out her phone. “We have to get a picture!”

There’s no one who loves Dusty’s book more than my sister. And that’s saying something, considering it’s already sold over a million copies in just six months. People are calling it the book of the year—a blend of A Man Called Ove and A Little Life.

Take that, Charlie Lastra, I think to myself, as I do every so often when I recall that fateful lunch. Or when I pass his closed office door—a little extra sweet now that he’s working at the very publishing house that released Once, surrounded daily by reminders of my success.

Fine, I think Take that, Charlie Lastra more often than I’d like to admit. One doesn’t easily forget the first time a coworker provoked her into extreme unprofessionalism.

“I’m going to see this movie at least five hundred times,” Libby tells me. “Back-to-back viewings.”

“Better pack a diaper,” I advise.

“Not necessary,” she replies. “I’ll be crying so hard there won’t be any liquid left in my body.”

“I didn’t realize you had such a… comprehensive understanding of anatomy,” I say.

“The last time I read it, I cried so hard I pulled a muscle in my back.”

“Maybe a little exercise wouldn’t hurt,” I tease.

“Rude.” She gestures toward her pregnant belly, then nudges us back on course toward the juice bar. “Anyway, back to your love life. You just need to get back out there.”

“Libby,” I say, “I get that you met the love of your life when you were twenty and have never had to date. But picture a world where thirty percent of your dates end with the guy confessing his love for feet, elbows, or kneecaps.”

Honestly, I’d been floored when my whimsical, romantic sister fell for Brendan—a nine-years-older accountant who’s deeply interested in trains—but over the years, I’ve come to realize he’s the most reliable guy I’ve ever known, and he and my sister are soulmates.

“Thirty percent?!” she cries. “What kind of dating apps are you even on, Nora?”

“The normal ones!” I protest.

To be fair, yes, I’ve taken to asking about “quirks” right away. It’s not that thirty percent of men mention their unusual interests twenty minutes in—that’s my whole point. Just last month, my boss, Amy, went home with someone new and discovered an entire room filled floor-to-ceiling with ceramic dolls.

"How inconvenient would it be to fall in love with someone only to discover they had a room full of dolls? The answer is ‘very.’

“Can we sit for a second?” Libby asks, slightly out of breath, and we maneuver around a group of German tourists to sit on the edge of a coffee shop’s windowsill.

“Are you okay?” I ask. “Can I get you something—water?”

She shakes her head, tucking her hair behind her ears. “I’m just tired. I need a break.”

“We should have a spa day,” I suggest. “I’ve got a gift certificate—”

“First of all,” she interrupts, “you’re lying, and I can tell. And second of all…” She bites her lip, gloss catching the light. “I had something different in mind.”

“Two spa days?” I guess.

She cracks a small smile. “You’re always saying that August is dead in publishing and you don’t have much going on…”

“I have plenty to do,” I insist.

“Nothing that requires you to be in the city,” she counters. “So, what if we went somewhere? Took a few weeks to relax? I’ll have a break from all the kids, you can stop thinking about Aaron, and we can just get away from being Supermom and Fancy Career Lady. Maybe even go for a whirlwind romance with a local... lobster hunter?”

I stare, trying to figure out if she’s joking.

“Or, a fisherman? Lobster fisherman?” she says, shrugging.

“But we never go anywhere,” I point out.

“Exactly.” Her voice has an edge, and she reaches for my hand, her nails chewed down. I try to swallow, but it feels like my throat is closing. In that moment, I’m sure there’s more going on with Libby than just exhaustion, money worries, or frustration with my schedule.

Six months ago, I would have known exactly what was wrong. I wouldn’t even have had to ask. Libby would’ve shown up at my apartment unannounced, flopped dramatically onto my couch, and sighed, “You know what’s bothering me, Sissy?” I’d pull her head into my lap, gently teasing my fingers through her hair while she poured out her worries over a glass of crisp white wine. But things are different now.

“This is our chance, Nora,” she says quietly, her voice both urgent and pleading. “Let’s take a trip. Just the two of us. The last time we did that was in California.”

My stomach drops. That trip—like my relationship with Jakob—is a part of my past I do my best to avoid revisiting. Nearly everything I do is aimed at ensuring Libby and I never fall back into the dark place we were in after Mom died. But the truth is, I haven’t seen her look this close to breaking since then.

I swallow hard. “Can you really get away right now?”

“Brendan’s parents can help with the girls.” She squeezes my hands, her blue eyes bright with hope. “When this baby comes, I’m going to be a shell of myself for a while. Before that happens, I really, really want to spend some time with you—like it used to be. And honestly, I’m three sleepless nights away from pulling a Where’d You Go, Bernadette, if not going full Gone Girl. I need this.”

My chest tightens as I imagine a heart trapped in a metal cage. I’ve always struggled to say no to her. Not when she was five and wanted the last bite of cheesecake, or when she was fifteen and wanted to borrow my favorite jeans (they never quite recovered from her curves), or when she was sixteen and, with tears in her eyes, said, “I just want to not be here.” So, I swept her off to Los Angeles.

She never actually asked for those things, but she’s asking now, her palms pressed together, her lower lip jutting out. I feel panicked and breathless, even more rattled than I am at the thought of leaving the city. “Please,” she whispers.

Her fatigue has softened her presence, making her look almost translucent, as if my fingers might pass right through her if I tried to brush the hair from her brow. I didn’t realize it was possible to miss someone this intensely while they’re sitting right beside you, until now, where every part of me aches with it.

She’s here, I remind myself. And she’s okay. Whatever it is, I’ll fix it.

I push down every excuse and complaint bubbling inside me. “Let’s take a trip.”

Libby’s face breaks into a wide grin as she shuffles on the windowsill to pull something from her back pocket. “Good, because I already bought these, and I’m not sure they’re refundable.” She plops the printed plane tickets into my lap, and in an instant, it’s like none of this heaviness ever existed. For the first time in months, I have my carefree baby sister back. I’d give anything to keep us frozen in this moment, to hold onto her when she’s this radiant. My chest loosens, and breathing feels easy again.

“Aren’t you even going to see where we’re going?” Libby asks with a laugh.

I glance down at the ticket in my hand. “Asheville, North Carolina?”

She shakes her head. “That’s the closest airport to Sunshine Falls. This is going to be… a once-in-a-lifetime trip.”

I groan, and she throws her arms around me, laughing. “We’re going to have so much fun, Sissy! And you’re going to fall in love with a lumberjack.”

“If there’s one thing that really gets me going,” I reply, “it’s deforestation.”

“An ethical, sustainable, organic, gluten-free lumberjack,” she amends with a wink.


Between the Lines - Chapter 1



When books are your life—or, in my case, your job—you get pretty good at predicting where a story is headed. The tropes, archetypes, and typical plot twists all start to categorize themselves in your mind, neatly organized by genre.

The husband is the killer. The nerd gets a makeover, and suddenly, minus her glasses, she’s stunning. The guy gets the girl—or sometimes, the other girl does. Someone dives into a complex scientific concept, only for another character to respond with, “Um, in English, please?”

Details may vary from book to book, but truly, there’s nothing new under the sun.

Take, for example, the small-town love story. You know the kind: a jaded hotshot from New York or LA is sent to Smalltown, USA, likely to close a family-owned business to make way for some soulless corporation. But things don’t go as planned, because, of course, the Christmas tree farm (or bakery, or bookstore) they’re supposed to shut down is owned by someone improbably attractive and just as improbably single.

Back in the city, our lead has a partner: a ruthless romantic interest who pushes them to finish the job, take the promotion, and move on. Said partner barks out cold advice from the seat of their Peloton, often while multitasking. You can tell they’re the “villain” because of their meticulously slicked-back hair, maybe even platinum blonde, à la Sharon Stone in Basic Instinct, and an aversion to Christmas decorations.

Meanwhile, the lead spends more time with the charming baker/seamstress/tree-farm owner and undergoes a change of heart, discovering the true meaning of life. Returning to the city, they propose a “break” to their cold-hearted partner, who reacts with something like, “In these Manolos?” as they head for a walk. The lead will ask them to look up at the stars, only for them to reply, “I just got Botox!” The realization dawns: they can’t go back to their old life and promptly propose to their newfound small-town love. (Because who needs dating?)

By this point, you’re yelling at the book: “You don’t even know her! What’s her middle name?” And your sister, Libby, glances up just long enough to hush you and throw a handful of popcorn in your direction.

And that’s why I’m running late to this lunch meeting.

Because that’s my life: the trope that defines my days, the archetype onto which my own details are projected. I’m the city person—not the one who finds true love with a small-town farmer. No, I’m the other one, the uptight literary agent, perched atop her Peloton, reading manuscripts as her serene beach screen saver floats across her laptop screen.

I’m the one who gets dumped.

I’ve read this story—and lived it—enough times to know it’s happening again right now, as I dodge the late-afternoon Midtown foot traffic, clutching my phone.

He hasn’t said it yet, but I can feel it in my bones. Grant was supposed to be in Texas for two weeks, just long enough to wrap up a deal with a boutique hotel near San Antonio. Given my experience with post–work-trip breakups, I reacted to the news like he’d announced he was joining the navy. Libby told me I was overreacting, but I wasn’t surprised when he began missing our calls and cutting conversations short. I knew where this was headed.

Three days ago, right before his return flight, fate intervened. Grant’s appendix burst. Theoretically, I could’ve flown down to meet him at the hospital, but I was in the middle of a huge sale, glued to my phone. Grant assured me it was “no big deal.” And deep down, I knew I was surrendering him to the small-town-romance gods.

Now, three days later, as I practically sprint to lunch in my Good Luck heels, my knuckles white against my phone, I hear Grant’s voice delivering the final blow.

“Say that again,” I order, even though I mean it as a question.

Grant sighs. “I’m not coming back, Nora. Things have changed for me this week.” He even laughs. “I’ve changed.”

A dull thud lands in my cold, city-person heart. “Is she a baker?” I ask.

He hesitates. “What?”

“The woman you’re leaving me for. Is she a baker?”

After a brief silence, he relents. “She’s the daughter of the hotel owners. They’ve decided not to sell, so I’m going to stay on and help run the place.”

I can’t help it; I laugh. Bad news has always made me laugh. It’s probably why I’m cast as the “villainess” in my own life, but what else am I supposed to do? Melt into tears on a crowded sidewalk?

Outside the restaurant, I rub at my eyes and clarify, “So, just to be clear: you’re giving up your incredible job, your incredible apartment, and me, to move to Texas and be with someone whose résumé reads daughter of the hotel owners?”

“There’s more to life than money and a fancy career, Nora,” he snaps.

I laugh again. “Please tell me you’re joking.”

Grant, who grew up with more than a silver spoon, probably had a golden crib. He’s the billionaire’s son whose career was handed to him, but now, he’s talking like money means nothing.

Apparently, I must say this last part aloud, because he demands, “What’s that supposed to mean?”

Through the restaurant window, I check the time. I’m late—I’m never late. “Grant, you’re a thirty-four-year-old heir. For most of us, jobs are directly tied to survival.”

He fires back, “See? This is what I can’t stand anymore. You’re so cold, Nora. Chastity and I want to—”

It’s unintentional when I laugh at her name. But really, after everything, he’s leaving me for someone named Chastity? It’s like the universe just won’t quit with the clichés.

He sighs on the other end of the line. “These people, Nora—they’re good people, salt of the earth. That’s the kind of person I want to be. And look, don’t act upset—”

“Who’s acting?” I responded.

“You’ve never needed me—”

“Of course I don’t!” I snap back. I’ve worked hard to build a life that’s completely my own, one no one else can pull the plug on to send me spiraling.

“You’ve never even stayed over at my place,” he says.

“My mattress is objectively better!” I retorted. I spent nine and a half months researching it before buying. It’s also pretty much how I approach dating—and yet, here I am.

“—so don’t pretend you’re heartbroken,” Grant continues. “I’m not sure you’re even capable of being heartbroken.”

I laugh again.

Because of this, he’s wrong. After you’ve had your heart truly shattered, a phone call like this is nothing. A minor twinge, maybe, or a murmur—certainly not a break.

Grant presses on: “I’ve never even seen you cry.”

You’re welcome, I think. How many times had Mom told us, through her own tears, that her latest boyfriend thought she was “too emotional”?

That’s the paradox of being a woman: wear your heart on your sleeve, and you’re hysterical; keep it tucked away, and you’re a cold, heartless bitch.

“I’ve got to go, Grant,” I say.

“Of course you do,” he replies.

Apparently, sticking to my commitments just further proves that I’m a frigid robot who sleeps on a bed of hundred-dollar bills and raw diamonds. (If only.)

I hang up without another word, ducking beneath the restaurant’s awning. I take a deep breath, waiting to see if the tears will come.

They don’t. They never do—and I’m okay with that.

I have a job to do, and unlike Grant, I’m going to do it—for myself and for everyone at Nguyen Literary Agency.

I smooth my hair, square my shoulders, and head inside, where the burst of air conditioning sends goosebumps along my arms.

It’s late for lunch, so the crowd is thin. Near the back, I spot Charlie Lastra, dressed in all black, like publishing’s version of a metropolitan vampire.

We’ve never met in person, but I’d double-checked the Publishers Weekly announcement about his promotion to executive editor at Wharton House Books and committed his photograph to memory: stern, dark brows; light brown eyes; a slight crease in his chin below full lips. He has the kind of dark mole on his cheek that, on a woman, would be considered a beauty mark.

He can’t be far past his mid-thirties, with a face you might describe as boyish if not for the tired look in his eyes and the gray streaks peppered through his black hair.

Also, he’s scowling. Or maybe pouting. His mouth has a pout while his forehead scowls. Powling.

He glances at his watch.

Not a great sign. Right before I left, my boss, Amy, had warned me that Charlie is famously testy, but I wasn’t worried—I’m always punctual. Except for today, when I was dumped over the phone and ended up six and a half minutes late, apparently.

“Hi!” I say, extending my hand. “Nora Stephens. So nice to finally meet in person.”

He stands, his chair scraping the floor. His dark clothes, features, and overall demeanor have the effect of a black hole, pulling the light from the room and absorbing it completely.

Most people wear black as a convenient professional choice, but he makes it look like a capital-C Choice, with his relaxed merino sweater, trousers, and brogues giving him the air of a celebrity snapped on the street by paparazzi. I can’t help calculating the cost of his outfit. Libby calls it my “middle-class party trick,” but I just enjoy beautiful things and often online-window shop to self-soothe after a rough day.

I’d estimate Charlie’s outfit costs between eight hundred and a thousand dollars—about the same as mine, though I bought everything secondhand, except for my shoes.

He examines my outstretched hand for a beat too long before giving it a quick shake. “You’re late,” he says, taking his seat without making eye contact.

Is there anything worse than a man who thinks the social contract doesn’t apply to him just because he was born with a good face and a padded bank account? Grant already exhausted my tolerance for self-important jerks today. Still, for my clients’ sake, I have to play nice.

“I know,” I say, smiling as if apologetically but not actually apologizing. “Thank you for waiting. My train was stopped on the tracks. You know how it is.”

He lifts his eyes to mine. They’re so dark now I can barely make out his irises. His look suggests he doesn’t know how it is when trains stop for reasons both tragic and trivial. He probably never takes the subway.

Maybe he rides around in a shiny black limo—or a Gothic carriage pulled by a team of Clydesdales.

I shrug off my blazer (herringbone, Isabel Marant) and settle into the seat across from him. “Have you ordered yet?”

“No,” he replies flatly. And nothing more.

My hopes sink a little.

We set this get-to-know-you lunch weeks ago, but I’d also just sent him a new manuscript from one of my longest-standing clients, Dusty Fielding. Now, I’m not so sure I want any of my authors to work with this man.

I glance at the menu. “The goat cheese salad here is phenomenal.”

Charlie closes his own menu and looks at me intently. “Before we go any further,” he says, his thick, dark brows drawing together, his voice low and rough, “I should tell you, I found Fielding’s new book unreadable.”

My jaw drops, and I’m momentarily speechless. I hadn’t even planned to discuss the book yet. If Charlie wanted to reject it, he could’ve done so by email—without using the word unreadable.

Besides, any decent person would at least wait until we’ve got some bread on the table before launching into insults.

I close my menu and fold my hands on the table. “I think it’s her best work yet.”

Dusty has already published three other books, each one excellent, though none sold particularly well. Her previous publisher wasn’t willing to take another chance on her, so she’s back in the market, looking for a new home for this next novel. And maybe it’s not my personal favorite of hers, but it has huge commercial potential. With the right editor, I know this book could really shine.

Charlie sits back, his scrutinizing gaze sending a prickling down my spine. His expression reads like he’s looking straight through my polished exterior to all the sharper edges beneath. The look says, Wipe that polite smile off your face. You’re not that nice.

He turns his water glass slowly. “Her best is The Glory of Small Things,” he says, as if three seconds of eye contact was enough to read my mind, and he’s sure he’s speaking for both of us.

To be fair, Glory was one of my favorite books of the last decade, but that doesn’t make this one any less deserving.

“This book is just as good,” I say. “It’s just different—maybe a little less subdued, but that gives it a kind of cinematic quality.”

“Less subdued?” Charlie raises an eyebrow. At least the golden warmth has seeped back into his gaze, so I don’t feel like his eyes are going to burn holes through me. “That’s like saying Charles Manson was a lifestyle guru. Maybe true, but completely beside the point. This book reads like someone saw that Sarah McLachlan commercial on animal cruelty and thought, "But what if all the puppies died on camera?

An exasperated laugh escapes me. “Fine. It’s clearly not your style. But maybe it would help,” I say, irritated, “if you told me what your style is. Then I’d know what kind of books to send you next time.”

Liar, my brain whispers. You’re not sending him any more books.

Liar, Charlie’s unsettling, owl-like eyes seem to say. You’re not sending me more books.

This lunch—and any chance of a working relationship—is sinking fast. Charlie doesn’t want to work with me, and I’m not particularly eager to work with him either. Still, he hasn’t completely abandoned the rules of basic courtesy, so he takes a moment to consider my question.

“It’s overly sentimental,” he finally says, “and the cast comes off as caricatures—”

“Quirky,” I corrected him. “They’re distinctive, and with such a large cast, their quirks help set them apart.”

“And the setting—”

“What about the setting?” I ask. The setting in Once in a Lifetime is central to the book’s charm. “Sunshine Falls is meant to be idyllic.”

Charlie scoffs and even rolls his eyes. “It’s completely unrealistic.”

“It’s a real place,” I counter. Dusty painted the mountain town so vividly that I’d looked it up myself. Sunshine Falls, North Carolina, is a real spot just outside Asheville.

Charlie shakes his head, visibly annoyed. Well, that makes two of us. If I’m the quintessential City Person, he’s the quintessential Dour Stick-in-the-Mud—the type who only sees clouds. He’s all the worst parts of a misanthrope.

It’s a shame, though, because Charlie has a reputation for being brilliant at his job. Many of my agent friends call him “Midas,” as in, “Everything he touches turns to gold” (although, admittedly, some call him “the Storm Cloud” because, while he makes it rain money, there’s often a catch).

The point is, Charlie Lastra picks winners. And he’s not picking Once in a Lifetime.

Determined to at least leave this meeting on a confident note, I fold my arms across my chest. “For what it’s worth, Sunshine Falls is a real place, no matter how contrived you found it.”

“It might exist,” he replies, “but I’m telling you, Dusty Fielding’s never been there.”

“Why does that matter?” I ask, finally dropping any pretense of politeness.

Charlie’s mouth twitches at my outburst. “You asked me what I disliked about the book—”

“What you liked,” I correct.

“—and I disliked the setting.”

Frustration builds in my chest, tightening my breath. “Then why don’t you just tell me what kinds of books you do like, Mr. Lastra?”

Charlie settles back, stretching out comfortably like a jungle cat toying with its prey. He twists his water glass again; what I’d taken for a nervous tic now feels more like a form of subtle torture. I resist the urge to knock it off the table.

“What I want,” Charlie says, “is early Fielding. The Glory of Small Things.

“That book didn’t sell,” I point out.

“Only because her publisher didn’t know how to sell it,” Charlie replies smoothly. “Wharton House could. I could.”

I raise an eyebrow, trying to keep my expression neutral. Just then, the server arrives. “Can I get you anything while you’re deciding on the menu?” she asks with a smile.

“Goat cheese salad,” Charlie says without even glancing up, as if eager for the chance to critique my favorite dish in the city.

“And for you, ma’am?” she asks, jolting me with the casual “ma’am” that’s almost ghostly in its effect.

“I’ll have that too,” I say. Then, because it’s been a day, and since I have no reason to impress anyone here—and because I’m committed to sitting through at least forty more minutes with someone I have no intention of working with—I add, “And a gin martini. Dirty.”

Charlie raises a brow, barely. It’s three in the afternoon on a Thursday, not exactly happy hour, but with summer winding down and most people taking Fridays off, it might as well be the weekend.

As the server walks away with our order, I mutter, "Rough day."

“Not as rough as mine,” Charlie says, leaving the rest unsaid: I read eighty pages of Once in a Lifetime, then met up with you.

I scoff. “You really didn’t like the setting?”

“I can hardly imagine a worse place to spend four hundred pages.”

“Well,” I reply, “you’re exactly as charming as everyone said you’d be.”

“I can’t help how I feel,” he answers coolly.

I bristle. “That’s like Charles Manson saying he didn’t technically commit the murders. It might be true in some sense, but it’s really not the point.”

The server returns with my martini, and Charlie grumbles, “Could I get one of those, too?”

Later that night, my phone pings with an email.


From: Charlie

Hi Nora,
Feel free to keep me in mind for Dusty’s future projects.
—Charlie


I roll my eyes. No “Nice meeting you.” No “Hope you’re doing well.” Just straight to business. Gritting my teeth, I type back in his own blunt style.


From: Nora
If she writes anything about lifestyle guru Charlie Manson, you’ll be the first to know.
—Nora


I tuck my phone into the pocket of my sweatpants and nudge open the bathroom door, ready for my ten-step skincare routine—otherwise known as the best forty-five minutes of my day. Just as I’m about to start, my phone buzzes again.


From: Charlie
Joke’s on you: I’d very much like to read that.
—C


Determined to get the last word, I type back, Night. (I certainly don’t mean Good night.)

Seconds later, his response arrives: Best, as if he’s wrapping up a nonexistent email.

If there’s anything I hate more than flat shoes, it’s losing. So I reply, x.
Silence. Checkmate. After a long, brutal day, this small victory restores my world to balance. I finish my skincare routine, then indulge in five blissful chapters of a gritty mystery novel. As I sink into my perfect mattress, not a single thought of Grant or his new Texas life crosses my mind. I drift off, sleeping deeply and contentedly.

Like a baby.

Or maybe an ice queen.

Between the Lines - Chapter 3

On the plane, Libby insists that we order Bloody Marys. She actually tries to convince me to do shots, but finally settles for a Bloody Mary...